Bodys at Rest: An African Artist Gets His Due at MoMA


Bodys Isek Kingelez almost wasn’t famous. He lived in Kinshasa, the capital of the Democratic Republic of Congo (D.R.C.) — which was still known in the 1980s as Zaire, per edict of the autocrat Mobutu Sese Seko — a city scarce on opportunities for a contemporary artist. A bit of a recluse, Kingelez had ditched his early career as a schoolteacher for a more oblique civic engagement: constructing, out of paper and plastic and found materials, scale models of fantastical buildings that he imagined for the city.

When the Parisian curator André Magnin visited him in 1988, Kingelez was forty, and worked as a restorer at the national museum,…

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